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Film theoryrational reconstructions /
~
Buckland, Warren.
Film theoryrational reconstructions /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Film theory/ Warren Buckland.
其他題名:
rational reconstructions /
作者:
Buckland, Warren.
出版者:
New York, N.Y. :Routledge, : 2012.,
面頁冊數:
ix, 193 p. :ill. :
標題:
Film criticism. -
電子資源:
Click here to view
ISBN:
9780203143667 (e-book : PDF)
Film theoryrational reconstructions /
Buckland, Warren.
Film theory
rational reconstructions /[electronic resource] :Warren Buckland. - New York, N.Y. :Routledge,2012. - ix, 193 p. :ill.
Includes bibliographical references and index.
Introduction -- 1. An improbable alliance : Peter Wollen's "The auteur theory" -- 2. Visual stylometry : Barry Salt's "Statistical style analysis of motion pictures" -- 3. Between Shakespeare and Sirk : Thomas Elsaesser's "Tales of sound and fury: observations on the family melodrama" -- 4. From iconicity to semiotic articulation : Christian Metz's "cinema: language or language system?" and language and cinema -- 5. Film as a specific signifying practice : Stephen Heath's "On screen, in frame: film and ideology" -- 6. Against theories of reflection : Laura Mulvey's "Visual pleasure and narrative cinema" -- 7. Early cinema spectatorship : Tom Gunning's "The cinema of attraction(s): early film, its spectator, and the avant-garde" -- 8. Another Lacan : "the universal: suture revisited" -- 9. The death of the camera : Edward Branigan's "What is a camera?" -- Conclusion : teaching theory.
Mode of access: World Wide Web.
ISBN: 9780203143667 (e-book : PDF)Subjects--Topical Terms:
234106
Film criticism.
Index Terms--Genre/Form:
228523
Electronic books.
LC Class. No.: PN1995 / .B7975 2012
Dewey Class. No.: 791.4301 / B924
Film theoryrational reconstructions /
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Includes bibliographical references and index.
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Introduction -- 1. An improbable alliance : Peter Wollen's "The auteur theory" -- 2. Visual stylometry : Barry Salt's "Statistical style analysis of motion pictures" -- 3. Between Shakespeare and Sirk : Thomas Elsaesser's "Tales of sound and fury: observations on the family melodrama" -- 4. From iconicity to semiotic articulation : Christian Metz's "cinema: language or language system?" and language and cinema -- 5. Film as a specific signifying practice : Stephen Heath's "On screen, in frame: film and ideology" -- 6. Against theories of reflection : Laura Mulvey's "Visual pleasure and narrative cinema" -- 7. Early cinema spectatorship : Tom Gunning's "The cinema of attraction(s): early film, its spectator, and the avant-garde" -- 8. Another Lacan : "the universal: suture revisited" -- 9. The death of the camera : Edward Branigan's "What is a camera?" -- Conclusion : teaching theory.
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Click here to view
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