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Late Godard and the possibilities of...

Morgan, Daniel, (1977-)

Late Godard and the possibilities of cinema /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Late Godard and the possibilities of cinema // Daniel Morgan
作者:	Morgan, Daniel,
出版者:	Berkeley, ca :University of California Press, : 2012.,
面頁冊數:	1 online resource (326 pages)
提要註:	With 'Late Godard and the Possibilities of Cinema', Daniel Morgan makes a significant contribution to scholarship on Jean- Luc Godard, especially his films and videos since the late 1980s, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films - 'Soigne ta droite' ('Keep Your Right Up', 1987), 'Nouvelle vague' ('New Wave', 1990), and 'Allemagne 90 neuf zero' ('Germany 90 Nine Zero', 1991) - and the monumental late video work, 'Histoire(s) du cinema' (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard's late work.
標題:	Motion pictures - Aesthetics. -
電子資源:	http://portal.igpublish.com/iglibrary/search/UCPB0001009.html

Late Godard and the possibilities of cinema /
Morgan, Daniel,1977-

Late Godard and the possibilities of cinema /Daniel Morgan - Berkeley, ca :University of California Press,2012. - 1 online resource (326 pages)

Includes bibliographical references (pages 265-296) and index

Late Godard and the possibilities of cinema -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction -- Part One -- 1. The Work of Aesthetics -- 2. Nature and Its Discontents -- 3. Politics by Other Means -- Part Two -- 4. Cinema without Photography -- 5. What Projection Does -- 6. Cinema after the End of Cinema (Again) -- Notes -- Index

With 'Late Godard and the Possibilities of Cinema', Daniel Morgan makes a significant contribution to scholarship on Jean- Luc Godard, especially his films and videos since the late 1980s, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films - 'Soigne ta droite' ('Keep Your Right Up', 1987), 'Nouvelle vague' ('New Wave', 1990), and 'Allemagne 90 neuf zero' ('Germany 90 Nine Zero', 1991) - and the monumental late video work, 'Histoire(s) du cinema' (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard's late work.Subjects--Personal Names:

412368
Godard, Jean-Luc,
1930---Criticism and interpretationSubjects--Topical Terms:

412369
Motion pictures
--Aesthetics.

LC Class. No.: PN1998.3.G63 / M58 2013

Dewey Class. No.: 791.4302/33092

Late Godard and the possibilities of cinema /
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245 1 0 $a Late Godard and the possibilities of cinema / $c Daniel Morgan
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505 0 $a Late Godard and the possibilities of cinema -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction -- Part One -- 1. The Work of Aesthetics -- 2. Nature and Its Discontents -- 3. Politics by Other Means -- Part Two -- 4. Cinema without Photography -- 5. What Projection Does -- 6. Cinema after the End of Cinema (Again) -- Notes -- Index
520 8 $a With 'Late Godard and the Possibilities of Cinema', Daniel Morgan makes a significant contribution to scholarship on Jean- Luc Godard, especially his films and videos since the late 1980s, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films - 'Soigne ta droite' ('Keep Your Right Up', 1987), 'Nouvelle vague' ('New Wave', 1990), and 'Allemagne 90 neuf zero' ('Germany 90 Nine Zero', 1991) - and the monumental late video work, 'Histoire(s) du cinema' (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard's late work.
600 1 0 $a Godard, Jean-Luc, $d 1930- $x Criticism and interpretation $3 412368
650 0 $a Motion pictures $x Aesthetics. $3 412369
856 4 0 $u http://portal.igpublish.com/iglibrary/search/UCPB0001009.html

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