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It's the Disney version :popular cinema and literary classics /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	It's the Disney version :/ edited by Douglas Brode and Shea T. Brode
Reminder of title:	popular cinema and literary classics /
other author:	Brode, Shea T.,
Description:	1 online resource
基督教聖經之智慧書導讀 :	"In 1937, the first full-length animated film produced by Walt Disney was released. Based on a fairy tale written by the Brothers Grimm, Snow White and the Seven Dwarfs was an instant success and set the stage for more film adaptations over the next several decades. From animated features like and Bambi to live action films such as Mary Poppins, Disney repeatedly turned to literary sources for inspiration--a tradition the Disney studios continues well into the twenty-first century. In It's the Disney Version!: Popular Cinema and Literary Classics, Douglas Brode and Shea T. Brode have collected essays that consider the relationship between a Disney film and the source material from which it was drawn. Analytic yet accessible, these essays provide a wide-ranging study of the term "The Disney Version" and what it conveys to viewers. Among the works discussed in this volume are Alice in Wonderland, Mary Poppins, Pinocchio, Sleeping Beauty, Tarzan, and Winnie the Pooh
Subject:	Motion pictures and literature. -
Online resource:	http://portal.igpublish.com/iglibrary/search/ROWMANB0014746.html
ISBN:	9781442266070

It's the Disney version :popular cinema and literary classics /
It's the Disney version :popular cinema and literary classics /edited by Douglas Brode and Shea T. Brode - 1 online resource

Includes bibliographical references and index

Introduction: once upon a time at the movies / Douglas Brode -- "And they lived happily ever after?": Disney's animated adaptation of Snow White and the seven dwarfs (1937) and Fleischers' Gulliver's travels / David McGowan -- Marionette as metaphor: Pinocchio and evolving attitudes toward education / Jean-Marie Apostolides -- Here be gay dragons: queer allegory and Disney's The reluctant dragon / Tison Pugh -- Uncle Walt's Uncle Remus: Disney's distortion of Harris's hero / Peggy A. Russo -- "Glory in the flower": Disneyfying Bambi / David Payne -- Through the cinematic looking glass: Walt Disney's 1951 animated Alice and Tim Burton's 2010 film / Sarah Boslaugh -- Walt Disney and Robert Louis Stevenson: Haskin's Treasure island or Stevenson's Kidnapped? / Scott Allen Nollen -- Of medieval ballads and movie musicals: Walt Disney and the Robin Hood legend / Shea T. Brode with Douglas Brode -- "Do you believe in fairies?": Peter Pan, Walt Disney, and me / Elizabeth Bell --

"In 1937, the first full-length animated film produced by Walt Disney was released. Based on a fairy tale written by the Brothers Grimm, Snow White and the Seven Dwarfs was an instant success and set the stage for more film adaptations over the next several decades. From animated features like and Bambi to live action films such as Mary Poppins, Disney repeatedly turned to literary sources for inspiration--a tradition the Disney studios continues well into the twenty-first century. In It's the Disney Version!: Popular Cinema and Literary Classics, Douglas Brode and Shea T. Brode have collected essays that consider the relationship between a Disney film and the source material from which it was drawn. Analytic yet accessible, these essays provide a wide-ranging study of the term "The Disney Version" and what it conveys to viewers. Among the works discussed in this volume are Alice in Wonderland, Mary Poppins, Pinocchio, Sleeping Beauty, Tarzan, and Winnie the Pooh

ISBN: 9781442266070

Standard No.: 99972349357Subjects--Corporate Names:

437435
Walt Disney Company
--HistorySubjects--Topical Terms:

378123
Motion pictures and literature.
Index Terms--Genre/Form:

382946
Electronic books

LC Class. No.: PN1999.W27 / I88 2016eb

Dewey Class. No.: 384/.80979494

It's the Disney version :popular cinema and literary classics /
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505 0 $a Introduction: once upon a time at the movies / Douglas Brode -- "And they lived happily ever after?": Disney's animated adaptation of Snow White and the seven dwarfs (1937) and Fleischers' Gulliver's travels / David McGowan -- Marionette as metaphor: Pinocchio and evolving attitudes toward education / Jean-Marie Apostolides -- Here be gay dragons: queer allegory and Disney's The reluctant dragon / Tison Pugh -- Uncle Walt's Uncle Remus: Disney's distortion of Harris's hero / Peggy A. Russo -- "Glory in the flower": Disneyfying Bambi / David Payne -- Through the cinematic looking glass: Walt Disney's 1951 animated Alice and Tim Burton's 2010 film / Sarah Boslaugh -- Walt Disney and Robert Louis Stevenson: Haskin's Treasure island or Stevenson's Kidnapped? / Scott Allen Nollen -- Of medieval ballads and movie musicals: Walt Disney and the Robin Hood legend / Shea T. Brode with Douglas Brode -- "Do you believe in fairies?": Peter Pan, Walt Disney, and me / Elizabeth Bell --
505 0 0 $a "In God's good time": Walt Disney and 1950s Cold War culture / Cynthia J. Miller and A. Bowdoin Van Riper -- Perchance to dream: a narrative analysis of Disney's Sleeping beauty / Alexis Finnerty with Douglas Brode -- "It's a jungle out there, kid!": Walt Disney and the American 1960s / Greg Metcalf -- "Higitus! figitus!": of Merlin and Disney magic / Susan Aronson -- "This is not the Mary Poppins I know!": P.L. Travers goes to Hollywood / David S. and Olga Silverman -- The wonderful worlds of Dickens and Disney: animated adaptations of Oliver Twist and A Christmas carol / Shari Hodges Holt -- The tao at Pooh corner: Disney's portrayal of a very philosophical bear / Anne Collins Smith and Owen M. Smith -- From icon to Disneyfication: a mermaid's aesthetic journey / Finn Hauberg Mortensen -- Pocahontas as Disney princess: history, legend, literature, and movie mythology / Kathy Merlock Jackson and Gary Edgerton -- "Driven to sin": Victor Hugo's complex vision of humanity in Disney's
505 0 0 $a The hunchback of Notre Dame / Michael Smith -- The integrity of an ape-man: Burroughs, Disney, and the meaning of the Tarzan myth / Stanley A. Galloway
520 $a "In 1937, the first full-length animated film produced by Walt Disney was released. Based on a fairy tale written by the Brothers Grimm, Snow White and the Seven Dwarfs was an instant success and set the stage for more film adaptations over the next several decades. From animated features like and Bambi to live action films such as Mary Poppins, Disney repeatedly turned to literary sources for inspiration--a tradition the Disney studios continues well into the twenty-first century. In It's the Disney Version!: Popular Cinema and Literary Classics, Douglas Brode and Shea T. Brode have collected essays that consider the relationship between a Disney film and the source material from which it was drawn. Analytic yet accessible, these essays provide a wide-ranging study of the term "The Disney Version" and what it conveys to viewers. Among the works discussed in this volume are Alice in Wonderland, Mary Poppins, Pinocchio, Sleeping Beauty, Tarzan, and Winnie the Pooh
520 $a In these intriguing essays, contributors to this volume offer close textual analyses of both the original work and of the Disney counterpart. Featuring articles that consider both positive and negative elements that can be found in the studio's output, It's the Disney Version!: Popular Cinema and Literary Classics will be of interest to scholars and students of film, as well as the diehard Disney fan." -- Publisher's description
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700 1 $a Brode, Shea T., $d 1984- $e editor $3 437437
700 1 $a Brode, Douglas, $d 1943- $e editor $3 437436
776 0 8 $i Print version: $t It's the Disney version. $d Lanham : Rowman & Littlefield, 2016 $z 9781442266063 $w (DLC) 2015043566 $w (OCoLC)931860507
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